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100%-osan biztonságos fizetési rendszer
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Fizessen saját pénznemében
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Több mint 3,5 millió eladott jegy
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A Ticmate-ről
Helyszín info
Hasonló programok
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1. Disney: Az oroszlánkirály – London
at Lyceum Theatre, ked, 5 nov 2024 - vas, 30 már 2025Ekkortól 21 843 Ft
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2. Wicked the Musical
at Apollo Victoria Theatre, ked, 5 nov 2024 - vas, 1 jún 2025Ekkortól 14 347 Ft
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3. Tina - A Tina Turner Musical
at Aldwych Theatre, ked, 5 nov 2024 - szo, 25 okt 2025Ekkortól 5 817 Ft
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4. Az Operaház fantomja
at His Majesty's Theatre, ked, 5 nov 2024 - szo, 27 szept 2025Ekkortól 14 347 Ft
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5. Mamma Mia - London
at Novello Theatre, ked, 5 nov 2024 - szo, 27 szept 2025Ekkortól 7 109 Ft
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6. MJ The Musical
at Prince Edward Theatre, ked, 5 nov 2024 - szo, 24 máj 2025Ekkortól 11 504 Ft
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7. Moulin Rouge! The Musical
at Piccadilly Theatre, ked, 5 nov 2024 - szo, 24 máj 2025Ekkortól 14 347 Ft
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8. Back to the Future: The Musical
at Adelphi Theatre, sze, 6 nov 2024 - vas, 27 júl 2025Ekkortól 11 245 Ft
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9. A Mormon könyve
at Prince of Wales Theatre, sze, 6 nov 2024 - szo, 22 feb 2025Ekkortól 11 504 Ft
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10. Matilda Musical
at Cambridge Theatre, ked, 5 nov 2024 - vas, 25 máj 2025Ekkortól 11 504 Ft
Hasonló kategóriák
Jegyek erre: Double Feature
No tickets available
2 Jegy, pén, 8 nov 2024
Double Feature
Ez az ajánlat épp most került be kínálatunkba - a jegyek már foglalhatók, a részletes magyar nyelvű információért kérjük, látogasson vissza később.
“Art and Eros are always superimposed, don’t you find? You cannot separate the two: the model naked in supplication before the artist; the artist exposing himself in trust. The beast of creation is always erect.”
1964/1967. In a rented cottage in Suffolk, a brilliant young film director, deep in making his magnum opus, confronts the ageing star that the studio has imposed on him. Vincent Price is about to walk out on the film, and Michael Reeves’ career hangs by a thread. Across the world, in a strange simulacrum of a Suffolk cottage created on a Hollywood lot, a great director and his star are engaged in a very different sort of power-game, as Alfred Hitchcock and Tippi Hedren take time off from making Marnie for one final confrontation.
John Logan is an American playwright and screenwriter. His other plays include the Tony Award-winning play Red (West End and Broadway), Peter and Alice (West End) and the book for Moulin Rouge (West End, Broadway, International); his screenplays include The Aviator, Skyfall and Gladiator.
Jonathan Kent returns to Hampstead where his previous productions include Good People, The Slaves of Solitude and The Forest.
1964/1967. In a rented cottage in Suffolk, a brilliant young film director, deep in making his magnum opus, confronts the ageing star that the studio has imposed on him. Vincent Price is about to walk out on the film, and Michael Reeves’ career hangs by a thread. Across the world, in a strange simulacrum of a Suffolk cottage created on a Hollywood lot, a great director and his star are engaged in a very different sort of power-game, as Alfred Hitchcock and Tippi Hedren take time off from making Marnie for one final confrontation.
John Logan is an American playwright and screenwriter. His other plays include the Tony Award-winning play Red (West End and Broadway), Peter and Alice (West End) and the book for Moulin Rouge (West End, Broadway, International); his screenplays include The Aviator, Skyfall and Gladiator.
Jonathan Kent returns to Hampstead where his previous productions include Good People, The Slaves of Solitude and The Forest.
Helyszín
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